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Serenade in G (T 52), 1877 (Werbeck 1999)
Piano trio in A (T 53), 1877
Lila (incomplete singspiel, T 61), 1878
Piano variations in D (T 68), 1878
Overture in E (T 69), 1878
Variations for horn and piano (T 70), 1878
Piano trio in D (T 71), 1878
Variations for flute and piano (T 76), 1879
Piano sonata in C minor (T 79), 1879
Romanza (clarinet and orchestra, T 80), 1879
Overture in A minor (T 83), 1879
Symphony No. 1 in D minor (T 94), 1880
String quartet in A (Op. 2, T 95), 1880
About thirty lieder, beginning with Weihnachtslied (T 2 90, passim,
published in Strauss 1964), 1870 80
About twenty-four lesser piano works, beginning with Schneiderpolka
(TrV 1 99, passim), 1870 80
Other vocal works, minor chamber works, incomplete orchestral works
Schuh, Willi, Richard Strauss: A Chronicle of the Early Years 1864 1898, trans. Mary
Whittall (Cambridge: Cambridge University Press, 1976).
Strauss, Richard, Lieder Gesamtausgabe, vol. 3, ed. Franz Trenner (London: Fürstner;
Boosey & Hawkes, 1964).
Todd, R. Larry, Strauss before Liszt and Wagner, in Richard Strauss: New Perspectives
on the Composer and His Work, ed. Brian Gilliam (Durham N.C.: Duke University,
1992).
Trenner, Franz, ed., Richard Strauss Werkverzeichnis, 2nd ed., revised (Vienna: Dr.
Richard Strauss GmbH, 1999).
164 Chapter 9
Werbeck, Walter ed., Richard Strauss Edition: Orchesterwerke, vol. 24 (Vienna: Dr.
Richard Strauss GmbH, 1999).
Sound Recordings
Festmarsch and symphony in D minor, cond. Klauspeter Seibel. Colosseum COL 34
9006 (n.d.).
Two piano trios, Odeon Trio. Capriccio 10 820 (1996).
Early songs in Richard Strauss, Lieder, Charlotte Margiono and others. Nightingale
Classics NCO 71260-2 (1995).
Alexander Glazunov (10 Aug. [29 July] 1865 21 Mar. 1936)
Glazunov s musical gifts seem to have been inherited mainly from his mother,
a pianist, for his father was not a musician. Glazunov began composing about
the age of eleven, but his childhood works have attracted very little attention,
although most have been published posthumously. There are two songs from
1881, five pieces for string quartet, and a Romans in B minor for cello and
orchestra from about the same time, as well as some piano pieces, but his first
major work was his Symphony in E. This was begun in 1880, but was not
completed until two years later at the age of sixteen, and it was further revised
in 1885 before appearing as his Op. 5. Meanwhile his Opp. 1 through 4 had
appeared, though these were not composed until 1882 or later.
Ferruccio Busoni (1 Apr. 1866 27 July 1924)
Both of Busoni s parents were musical, his father being a leading clarinettist
and his mother a pianist, and he was one of the most productive of all child
composers. Of the 303 original works listed in the thematic catalogue by
Jürgen Kindermann, the first 188 (i.e., well over half) were composed before
Busoni reached the age of sixteen. Most of them survive complete, although a
few are lost, unfinished, or fragmentary. There are also a few works referred to
in programs and elsewhere that cannot be positively identified and may con-
stitute additional material. By contrast, much of Busoni s later life was devoted
to the concert platform and to making numerous arrangements of works by
other composers. These activities, for which he has become best known, left
him relatively little time for composition (and his later works tend to be much
longer than his early ones; therefore there are fewer).
Busoni began composing at the age of seven, and his first extant compo-
sition, a twenty-four-bar canzone in C major for piano, dates from as early as
June 1873. The autograph score, like many of Busoni s, is in the Staatsbibli-
othek zu Berlin, Preussische Kulturbesitz, and the piece opens unexpectedly
Composers Born between 1851 and 1900 165
on a dominant-seventh chord. More piano works quickly followed six more
(and a vocal duet) were written in 1873, another seven in the following year,
and more than a dozen in 1875. These are mostly short, unpretentious pieces,
nearly all in C major (or occasionally C minor), and generally ranging from
about twenty to about eighty bars in length. A more ambitious work is a
three-movement piano sonata completed on 20 August 1875 (nearly all of his
early works are meticulously dated at the end). This was the first of a series of
multi-movement instrumental works that he composed in the next few years.
Table 9.1 is a full list of such works up to 1882.
Aside from instrumental works, more than half of which are for piano,
Busoni also composed a number of vocal works during this period. Some are
songs, such as Lied der Klage (K. 94, 14 October 1878). Most, however, are
church compositions, including three settings of Ave Maria (K. 67, 91, and
95) and two complete masses for unaccompanied chorus (K. 103 and 169), [ Pobierz całość w formacie PDF ]
